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Exhibits & Events

Gallery Exhibition Schedule

Exhibition Schedule for  2009
Heidi Nagtegaal & Kristi Malakoff - Guise
February 5 - March 22

Each artist creates idiosyncratic delineations between what is visible and what is hidden and considers the possibilities of potential or imagined lives and experiences.

The craft-based, tactile aspects of their practices evoke human elements absent from many generically manufactured experiences in contemporary life.

Nagtegaal knits a rainbow of facial hairpieces, exploring alternate identities. 

Malakoff references the Maypole dance and May Day celebrations, traditionally colourful affairs meant to usher in the summer months and ward off winter, the artists’ elucidation of this event strictly with the use of black paper modifies that perception and offers alternative readings of this oft interpreted and re-enacted event. 

Kristi Malakoff Maibaum
 
Kristi Malakoff, Maibaum, (detail) 2008-09

Breanna Maag - Observation of Wonder
April 2 - May 17

The works in Observation of Wonder a two-part installation,  investigate scientific theories, naming, and classification to view the formal aspects of daily existence and the poetics of nature’s diversity.  Maag constructs an octagonal dome or “conservatory” of fabric doilies along with a collection of cyanotype prints documenting different doilies as ‘scientific’ specimens and arranged in taxonomic rank.

Brenna Maag Conservatory #2

Brenna Maag, Conservatory, 2004-08  

Diyan Achjadi - The Further Adventures of Girl
May 28 - July 12
This body of work addresses the complexity of negotiating the current socio-political climate through the simplistic visual language of children’s media. 

Achjadi’s print series portray a single character, "The Girl" , as she navigates dangerous dystopic landscapes informed by news events and popular culture images in cartoon-like visual narratives.

The Further Adventures of Girl Wilderness (Moose)

Diyan Achjadi, The Further Adventures of Girl: Wildreness: (Moose), 2005-07

Barbara Zeigler - Hidden Sites
May 28 - July 12

Hidden Sites links two provincial sites that are significant yet hidden to most British Columbians, Cache Creek and the Broughton Archipelago

Zeigler’s video installation condenses the six-hour journey that a garbage truck makes from Vancouver to the Cache Creek Landfill site.  Following essentially the same route as the Fraser River salmon migrations.  The video and digital prints link the migration of salmon to the Broughton Archipelago, an area of intense aquaculture on the BC mainland coast. 

Barbara Zeigler tranfer truck small
 
Vancouver Island, BC
 2005 – 09
digital archival print

Jay Bundy Johnson - (Mary's Room) Conditions for Qualia
July 23 - September 6
Johnson’s audio-kinetic sculptures and interactive installations are ‘machines’ without external purpose, serving to amuse the viewer and to satisfy the artist’s compulsion to create.

The artist begs for a return to a tradition of compulsion, where artistic practice is driven by the creative impulse as opposed to the consideration of artistic trends or commodification.

Utilizing found materials in the development of his sculptures, Johnson fuses engineering and art as a critique of over-consumption while delighting in humour and spontaneity.

Jay Bundy Johnson Station

Jay Bundy Johnson, Station, 2008 

Project Rainbow
Jade Boyd, Jesse Birch, Sydney Vermont and Heidi Nutley - The Ruby Glass
July 23 - September 6

Curated by Kathy Slade this group of Vancouver-based interdisciplinary artists collaborate to explore the study of colour through photography, film, video, and movement.

The Ruby Glass, a study of the colour red, takes its name from Werner Herzog’s 1976 film, Herz aus Glas in which Herzog claimed to have hypnotized his actors in the filming of a pastoral village’s obsession with red glass.

Motivated by the manner in which Herzog’s film set-off a space of interrogation of movement that ranged from repressed or involuntary gestures to gestures of agency or control, Project Rainbow has produced a series of new works, conceptually organised as workshops, that take the form of performance art, video, film, dance, an photography.

The Ruby Glass Lace


 The Ruby Glass, Lace, 2006-09

Elizabeth Russell - Migration/ Immigrant Stories
September 17 - November 1
Migration/ Immigrant Stories is a research project involving the gathering of stories of new and settled Richmond immigrants. Vancouver Island-based Russell will explore the first encounter and challenges of new Canadian beginnings.

The creativity that often comes from having nothing and beginning again will be the focus of her drawings and paintings derived from a selection of narratives based on her research and discussion with new immigrants.

Elizabeth Russel, Coat Blanket

 Elizabeth Russell, Linda's Story, Curtain Coat,  2009

Colleen Brown, Paul Kajander and Kara Uzelman - Black Hole is also Supernova
September 17 - November 1

This exhibition will feature the work of Colleen Brown,
Paul Kajander and Kara Uzelman. These artists will
produce sculpture in a variety of media: video,photography, sculpture, foundmaterials,  and text.

Their treatment of objects and thematics will be
loosely oriented around the trajectory that the title
implies: a treatment of objects and cultural product
that is both vacuum-like and explosive. The shakiness
with which objects hold meaning in our world—art
and otherwise—speaks to a kind of bankruptcy of
signification (one thing refers to all things,everything’s been done before, it’s all relative, and
so on), and this “black hole” will intersect withanother kind of approach: that meaning, in this
vacuum, might explode into generative new constellations,
narratives and associations.

Paul Kajander installtion view

Kara Uzelman, installtion view ,2009

Wanda Koop - FACE TO FACE
November 19, 2009 to January 10, 2010
Curated by Deborah Koenker, this exhibition presents Koop’s highly inventive process, starting with China and landscapes and moving into transformative portraits, masks and robotics:  landscape/figure, figure in landscape, landscape in figure, figure/machine.  

This exhibition covers a range of work and themes developed over a period of nearly 25 years.  As Koop sums up her recent work, it’s “all the things I’m thinking about”.

Untitled  22

Wanda Koop, Untitled,
2009

Exhibition Schedule for 2010

Arthur Renwick - Mask
January 28 - April 4, 2010
The Gallery presents an exhibition of photographic work by First Nations artist, Arthur Renwick. Renwick grew up between the two worlds of Kitimat, the Alcan workers’ town, and Kitimaat, the Haisla Reserve. 

Mask
is a series of 16 larger-than-life sized portraits of First Nations artists from various disciplines.  In developing this series Renwick spoke at length with each artist about the complex relationship between representation and First Nations people.

The results are portraits of people “pulling faces” as they look back through the lens in response to that history. 

Carla, Arthur Renwick 2006 Photograph

Arthur Renwick, Carla, 2006 
colour photograph, 46" x 44"